In 2001, director Thomas Riedelsheimer made Rivers And Tides with artist Andy Goldsworthy. Fans of the earlier film will be delighted to learn they have reunited for a further examination of Goldsworthy’s work, Leaning Into The Wind-Andy Goldsworthy.😊😊
Nearly everyone links the words ‘nature’ or ‘environment’ to Goldsworthy’s art, although he seems to find these associations unnecessary. Early in Leaning Into The Wind, Goldsworthy says, “Why even mention it? Nature is everywhere.”
To Goldsworthy, naature is a continual metaphor for the human condition. He connects to nature on a deeply personal level, both physically and spiritually. Goldsworthy uses natural products (leaves, petals, stones, twigs, snow, bark) to create his artworks. Many of these are ephemeral works, intended to return to the earth as part of its natural cycle.
Andy Goldsworthy is one of the few sculptors who have redefined the approach of creating fine artistic structures. Unlike most sculptors, who carve stones and use clay to create their imaginations, Andy’s works look more like a natural occurrence. At a first glance, one may find it difficult to believe that his works are ‘artificially created’. He often uses brightly coloured flowers, icicles, leaves, mud, pinecones, snow, stone, twigs, and thorns. However, most of his work is temporary, which degrades over time. One such creation was the gigantic ‘Ice Snake’, which melted due to the heat. Though he has created very few pieces of art of great prominence, each one of them have been considered to be a masterpiece by many. Andy owes his love towards nature to his family, who introduced him to agriculture at a very tender age. Since then, he had the idea of creating sculptures using already existing elements of nature. Goldsworthy has presented his works at many art exhibitions, over a period of four decades. Few of these include ‘Hand to Earth—Sculpture 1976–90’, which was held at the Leeds City Art Gallery, and ‘Hard Earth’.
A documentary based on the life of Andy Goldsworthy was made in 2001. This celluloid adaptation of his life was titled ‘Rivers and Tides’. This film, which garnered critical acclaim, and even won many awards, was directed by Thomas Riedelsheimer.
" TOTAL CANTROL CAN BE
THE DEATH OF WORK"
-( Rivers And Tides, 20:51)
In the state of nature, liberty consists of being free from any superior power on Earth. People are not under the will or lawmaking authority of others but have only the law of nature for their rule. ... Freedom is constrained by laws in both the state of nature and political society
This documentary is a crucially an effect with experiment and experience, Clarify the concept of " CHANGING OF TIME" and presents,
The life pose and flows with time, from this frame of documentary the narrator want to present the huge branches of tree is a kind of universal or visual welcome. when we working though that sensational thighs the memories starts blinking, and memorization of people or particular event gives the new connection with new aspects the same way, narrator has recall of his memory and says,
"THE BLACKHOLE"
The very idea of death, distraction, fadedness take place when a human try to tend for making or resetting of the world in order to challenge or for as a gift as well.
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